![]() A splash of purple may be a man’s tailored dinner jacket or a stroke of blue, a woman’s cloak. ![]() On any one of Cortès’ canvases, one can find an array of tones ranging from soft gray hues and ambers to vivid reds, yellows and oranges. His works display the profound knowledge he held of perspective and composition and, the viewer’s eye is most often caught by fascinating details – the play of lights on wet pavement, shadows on streets and glowing windows and street lamps. ![]() His paintings express the romance, energy and charm of old Paris through his masterly application of bold brush strokes and intriguing colors. In 1888 the Figaro Illustré devoted a special issue to this “spectacle de la rue”, calling the boulevards “the true theatre of Paris”. Parisians thronged the new boulevards, parks and theatres to see and to be seen. The campaign of rebuilding undertaken by Napoleon III and Baron Haussmann in the 1850’s, 60’s, 70’s yielded wide tree-lined avenues, extensive parks, and elegant golden-gray stone buildings. The city itself was in a state of dramatic change. Paris was the cosmopolitan, fashionable stage on which the drama of the Belle Epoque was enacted. Many revolutionary ideas in politics, technology, science, poetry, music, literature and the fine arts emerged in Paris during this vibrant time. The period we know today as La Belle Époque lasted from about 1880 to 1914. His paintings are often filled with nostalgia for the period. ![]() But despite two world wars and the introduction of the machine age, the Paris of Cortès remains primarily the city of the Belle Epoque. Horses and carriages disappear in favor of cars and trams women’s hourglass silhouettes and picture hats give way to boyish figures in short skirts and little furs, gas streetlights turn into neon signs and glaring headlights. On the topic of Cortès and his relationship to Paris, biographer David Klein writes: “Paris changed during the years that Cortès painted it, and the changes appear in his paintings. Later, as an active member of the prestigious Société des Artistes Français, Cortès exhibited his works yearly at the Société Nationale and the Salon des Independants in Paris. In 1901 he contributed a dramatic Parisian street scene at dusk to the Salon des Artistes Français, which brought him immediate fame. As an adolescent, he became fascinated with the arts and at seventeen began his studies at the École des Beaux-Arts in Paris. Édouard Leon Cortès, of French and Spanish ancestry, was born in 1882. If that turns out to be the case, we will advise them to the strongest markets, negotiate contracts with auctions houses, and upon selecting a venue, crate and ship the painting with the safest means possible. We are currently assessing its auction value and then are going to decide with the client how in-depth of a restoration is needed, and ultimately whether or not they would like to pursue auction. This wonderful Parisian painting by Edouard Cortes (1882 – 1969), Portre St Denis, came into the studio with a few small scuff marks.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |